Vienna Ensemble patches are working with this concept which works best, but other developers don’t use in most cases. In most cases you can’t make the samples super dry and apply only “your” reverb. When you have both at the same volume, you should hear either the strings or the brass more in front or more in the back, due to room acoustics in the recordings. Let me explain why this topic is tough: As I said before, when you use two different sample developers, you have two different rooms in using. So they have different rooms, acoustics, response-times, EQ, etc. The reason is that you most likely use different samples from different developers.
It’s a super interesting but a super though topic as well.
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